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Everything old is new again

By Raymond Zhou | China Daily | Updated: 2013-07-03 05:46

Everything old is new again

Limelight | Mao Weitao

Mao Weitao could have rested on laurels, but she is willing to take risks to keep her art form relevant and resonating with audiences. She not only loves Yue Opera but also wants to expand its appeal, writes Raymond Zhou.

German playwright Bertolt Brecht (1898-1956) never set foot in China, and he mistook Sichuan province for a city when he wrote The Good Person of Szechwan. Now his classic play about the difficulty of doing good while everyone gets busy doing well is reincarnated as a Chinese opera - but set in another part of China. Not only does the story fit the locale perfectly, but also it has become a star vehicle for an artist who has specialized in transgender roles throughout her career - similar to trouser roles in Italian opera. When Mao Weitao makes an entrance as the female Shen Teh, there is a frisson of excitement in the audience. It is the first time Mao, superstar of Yue Opera, has ever played a role in her own gender. And what a gorgeous and feminine portrayal!

Everything old is new again

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